The Observer
“[An]
assiduous work of reclamation… Gray’s wonderful book, part travelogue, part
musical journey, part social history, is painstakingly researched and frequently
illuminating. It brings to light not just an elusive artist but a lost world…
Finally, we have a life to go with the legend.”
The Guardian
“Hand
Me My Travelin’ Shoes is a wonderful book about a spellbinding
musician.”
The Times
[July 14, 2007]
“Gray’s fitness over a long distance enables him to set his present subject deep
in the complexities of the society that engendered him… This is the fullest
account yet of McTell’s 59-year life, a hybrid of social history and travelogue
– Gray’s as much as his subject’s.”
Metro
[July 2007]
“Non-Fiction Of The Week. **** Gray has a journalist’s eye for detail… [and] a
music lover’s poetic appreciation for a great craftsman largely forgotten by
history. A wonderfully tantalising picture…”
Mojo
[Aug 2007]
“
* * * *
”
Uncut
“He
inspired one of Bob Dylan’s greatest songs and is now the subject of Michael
Gray’s fascinating biographical profile Hand Me My Travelin’ Shoes: In Search
Of Blind Willie McTell :
Bloomsbury * * * * *.
Gray, the author of titanic tomes on Dylan, is a fastidious researcher and here
presents not just an authoritative portrait of the great bluesman, but also
vivid history of the South in general and the area of rural Georgia that was
mostly home to McTell, with an especially vivid account of the Civil War and the
shaping consequences of the reconstruction of the South that followed. Gray is
also a sharply observant travel writer and some of the book’s best writing is
devoted to brilliantly evocative descriptions of the backwaters he visits and
the people he meets.”
The Informer
“Acclaimed Bob Dylan critic Michael Gray turns his attention
to a blues master in his latest book - with wonderful results. Hand Me My
Travelin’ Shoes is set to become the standard work on the charismatic
twelve-string guitar player and singer… Stretching back and forth, from the
bloody battles of the American Civil War to McTell’s final days, the book is
distinguished by an unfailing attention to detail - often in the face of scant
or non-existent records and census returns - and a stylish prose which rescues
McTell from the shadows of cultural history.
…the book is also a hymn to McTell’s native Georgia. Gray
traces the routes the blind singer would have followed, in and around his native
Thomson. Catching a bus from Atlanta with the author, the reader takes in the
sights, sounds and smells of McTell’s luxurious but also chaotic home state...
Gray’s book is fired by an admiration for McTell’s personal
and musical spirit, which failed to be vanquished by time and circumstances… To
risk a cliche, Michael Gray’s book is a labour of love. But it is also a history
of the cultural landscape which produced the great blues singer … [and] will
appeal not only to blues devotees, but to anyone interested in a musical
detective story and the amazing resilience of the human and artisitic spirit.”
The Dylan Daily
“Michael
Gray’s new biography of country blues legend Blind Willie McTell, published last
Monday in the UK, is already widely available on the High Street: by the
weekend, it was prominently displayed in all of the London bookshops I happened
to visit.
It’s a beautiful artifact, and most Dylan fans will feel compelled to check it
out. The new issue of Uncut, the music and movies monthly, gives it a
five star review – ‘fascinating… authoritative… vivid…’. Another triumph for the
prolific Gray, then.”
HAND ME
MY TRAVELIN' SHOES: In Search of Blind Willie McTell
from
Bloomsbury, London.
(ISBN: 0 7475 6560 0; ISBN-13: 978-0747565604.)
448 pages. Hardback 1st
Edition. Retail price: £25.
Paperback
Edition available from all good booksellers.
ISBN: 9780747565611
448 pages.
Check out
a new series of talks by Michael Gray in the USA:
"Searching for
Willie McTell: A British Writer in Georgia"
Check out
Michael Gray on Blind Willie McTell on YouTube
Check out Michael's essays:
Ghost Trains of the Mississippi
An
Introduction to Bob Dylan's use of Pre-war Blues
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